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“An Intelligent Man’s Guide to Modern Arab Feminism”

 

Since I have attacked quite a few men for their sexist remarks on this blog, I feel I owe it to all the respectable men out there to acknowledge their efforts in supporting women’s struggle for their rights. To do so I’ll begin with our forefathers.

Here is an excerpt from Professor Fawwaz Traboulsi’s “An Intelligent Man’s Guide to Modern Arab Feminism”, published in the feminist Lebanese magazine AL Ra’eda:

The Nahda
The woman’s question was central to the problematic of the Nahdah, the Arab cultural renaissance of the mid-nineteenth century. The pioneers of the Nahdah regarded women’s inferior status as the basic cause for the backwardness of the Arab and Islamic societies and were unanimous in affirming that there will be no renaissance for Arabs and Muslims without the renaissance of Arab women. Bustânî, Tahtâwî, Afghani, `Abdû, Qâsim Amîn and Tâhir Haddâd.and otehrs shared the belief that the renaissance of women will be achieved mainly through education. This is the gist of the famous address by Mu`allim Butrus al-Bustânî on the Education of Women in the 1860’s. But the men of the Nahdah mostly envisaged an educated bourgeois or aristocratic woman confined to her home and whose education was mainly invested in educating her children.

One major break from this tradition is to be found, very early on, in the writings of the Maronite Lebanese converted to Islam, Ahmad Fâris al-Shidyâq (1804-1887). Shidyâq’s Al-Sâq `Ala-l-Sâq (Paris, 1855) acclaimed as a founding text in Arabic modernity, was written in praise of women and the Arabic language. More, the author declares that while writing his book, “as if I myself had become a woman”. In contrast to the rest of the Nahdah pioneers, who emphasized education, Shidyaq considered Work as the main motor of the Arab renaissance. He urged the right of women to work; attacked segregation between men and women because it treats woman as a sexual object, called for the equal right of women to divorce, and critiqued the double standards in dealing with women’s infidelity. The radical novelty of Shidyâq resides in his vision that the repression of woman’s instincts was the basis of male domination. He defended woman’s equal right to sexual pleasure. Not content with the formal equality between the sexes, he looked into the consequences of social inequality on women. In his moving pages of observations on the England of the Industrial Revolution, Shidyâq discusses prostitution not only as a moral question but also as a consequence of poverty

Qâsim Amîn (1863-1908) is credited with the first work in Arabic devoted to the liberation of women. In his Tahrîr al-Mar’ah (The Liberation of Woman, 1899) to be followed a year later by Al-Mar’ah al-Jadîdah (The New woman, 1900), Amîn rejected the notion of woman as an inferior creature and called for woman’s equality with man. But, in direct contrast to Shidyâq, he was a purist concerning relations between the sexes. Although he attacked polygamy as an impediment to the progress of women and of society, he nevertheless rejected sexual pleasure and approved of the veil (the head cover) but opposed the Niqâb and the Burqu`. The anonymity imposed by these two forms of veiling, he argued, would encourage licentious behavior.

The Beginnings

The inter war period was a period of gestation for modern Arab feminism in more than one sense.

Great strides were made in the battle for education. As early as 1928, Egyptian Universities had opened their gates to girls. The immediate results were wider access by women to administrative posts and generally an increased presence in the labor force with the development of industrialization during WWI and its aftermath.

Equality of Rights was no more a slogan. A new era of women’s militancy started. As early as 1920, Egyptian women workers imposed the first legislation on working hours for women. Nabayiwwah Musa (Egypt) was among the many pioneers in the struggle for working women’s rights.

That period also witnessed the proliferation of women’s press, especially in Egypt and Lebanon: Hind Nawfal’s Al-Fatat (November 1892), Rosa Antûn’s Majallat al-Sayyidât wa-l-Fatayât (1903-), Mustafâ `Abd-al-Râziq’s Al-Sufûr, (1915-), Nabawiyyah Musa’s Tarqiyat al-Fatât (1923-), and Munîrah Thâbit’s Al-Amal (1925-)…

But the issue of the veil and segregation dominated the best part of that period. “Unveiling or death”! is the motto launched by the the Iraqi poet Ahmad Sudqî al-Zahâwî in a founding article, Evils of the Veil (1908) in which he accused sexual segregation between men and women of encouraging pederasty. In another article, In Defence of Women, a year later, he argues that freedom is a gift common to both men and women and derides the argument about man’s superiority based on his superior physical strength. Animals are stronger than men, should they have superior rights over them? Al-Zahhâwî opposed polygamy and called for women’s equal right to divorce, based on a simple argument: if women are given the right to approve their marriage, according to the Shari`ah, how can they be deprived of any say in its dissolution? Al-Zahhâwî goes even further in his critique as he evokes the inequality inherent in the Islamic promise of Heaven in which men are promised the famous seductive houris (700 to 70.000 of them) whereas women are promised to desire only their husbands. Zahhâwî’s writings on the woman question provoked demonstrations against him in the streets of Baghdad and the city’s Ottoman wâlî ultimately dismissed the poet from his teaching post at the Law school.

Mansour Fahmi (1886-1959) dealt with the question of the veil from a totally different angle. In his doctoral thesis entitled La condition de la femme dans la Tradition et l’évolution de l’Islamisme. (Paris, 1913) he resorts to ample philological and historic evidence in order to prove that neither in pre-Islam nor in the Prophet Muhammad’s time, there existed a piece of cloth designed to hide woman’s face from men. Among the evidence provided by Fahmi is that the hijâb in âyah 52 of Surat al-Ahzâb refers to a cloth partition inside the tent and the Jilbâb in âyah 59 (of Al-Ahzâb also) refers to a shawl for the body. Back in Egypt, Fahmi was bitterly attacked and forced to renounce his theory. His book is still not translated into Arabic.

 

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